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1908
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Stenka Razin, Aleksandr Drankov. Earliest surviving Russian fiction film
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1913
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The Keys to Happiness, Vladimir Gardin, Iakov Protazanov
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1916
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A Life for a Life, Yevgeni Bauer
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1917
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The Revolutionary, Yevgeni Bauer
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1918-1920
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Nationalization of the film industry by Lenin
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1919
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'Agit-trains' or mobile cinemas begin showing propaganda films in support of the Revolution
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1924
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Aelita, Iakov Protazanov
Strike (Stachka), Sergey Eisenstein
The Extraordinary Adventures of Mr West in the Land of the Bolsheviks (Neobychainye Priklyucheniya Mistera Vesta v Strane Bolshevikov), Lev Kuleshov
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1925
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Battleship Potemkin (Bronenosels Potemkin), Sergey Eisenstein
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1926
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Mother (Mat), Vsevolod Pudovkin
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1927-1928
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October (Oktyabr), Sergey Eisenstein
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1929
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Man with a Movie Camera (Celovek kinoapparatom), Dziga Vertov
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1930
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Earth (Zemlya), Aleksandr Dovzhenko
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1932
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Happiness (Schastye), Aleksandr Medvedkin
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1933
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Patriots (Okraina), Boris Barnet
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1934
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Socialist Realism adopted as the official filmic creed at the 1st All-Union Writers' Conference
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1939
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Shchors, Aleksandr Dovzhenko
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1944
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The Rainbow (Raduga),Mark Donskoy
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1945
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Ivan the Terrible I (Ivan Grozny), Sergey Eisenstein
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1954
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Beginning of so-called 'Thaw' in Soviet arts, a partial rejection of Socialist Realism
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1957
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The Cranes are Flying (Letjat zuravli), Mikhail Kalatozov, winner of Palme d'Or, Cannes (1958)
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1959
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Ballad of a Soldier (Ballade o Soldate), Grigori Chukhraj
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1961
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Nine Days in One Year (Deviat dnei odnovo goda), Mikhail Romm
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1964
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Shadows of our Forgotten Ancestors (Teni Zabytkh Predkov), Sergey Paradzhanov
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1966
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Andreï Rublev, Andrey Tarkovsky
War and Peace (Voina i Mir), Sergey Bondarchuk
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1967
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The Commissar, Aleksandr Askoldov
End of 'Thaw'
Askoldov banned from film-making
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1973
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Kalina Krasnaya, Vasily Shukshin
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1979
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The Theme (Tema), Gleb Panfilov
Stalker, Andrey Tarkovsky
Moscow Does Not Believe in Tears (Moskva Slezam ne Verit), Vladimir Menshov
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1984
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Repentance (Pokajanie), Tenguiz Abuladzé
My Friend Ivan Lapshin (Moj Drug Ivan Lapshin), Aleksey German
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1985
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Come and See (Idi i smotri), Elem Klimov
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1986
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Policy of Glasnost acknowledged at 5th Congress of Film-Makers.
Many films banned in previous 20 years are released
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1988
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The Days of Eclipse (Dni zatmeniya), Aleksandr Sokurov
Little Vera (Malenkaya Vera), Vasily Pichul
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1989
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The Weakness Syndrome (Astenichesky Sindrom), Kira Muratova
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1990
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Don't Move, Die, and Rise Again! (Zamri-umri-voskresni), Vitali Kanevsky
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1994
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Burnt by the Sun (Utomlyonnye Solntsem), Nikita Mikhalkov
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1995
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Heads and Tails (Oryol I reshka), Georgi Danelia
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1996
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Prisoner of the Caucasus (Kavkazskij Plennik), Sergey Bodrov
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1997
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Brother (Brat), Aleksey Balabanov
The Thief (Vor), Pavel Chukhraj
Mother and Son (Mat i Syn), Aleksandr Sokurov
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1998
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The Barber of Siberia (Sibirskij Tsiryulnik), Nikita Mikhalkov
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2000
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His Wife's Diary (Dnevnik Yevo Zheny), Aleksey Uchitel
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2002
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Russian Ark, Aleksandr Sokurov, the world's first feature film made in one continuous shot
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2003
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Vozvrashcheniye (The Return), Andrei Zvyagintsev
Koktebel (The Road to Koktebel), Boris Khlebnikov & Aleksei Popogrebsky
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2004
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Night Watch (Nochnoy Dozor), Timur Bekmambetov, first of the post-Soviet era Russian blockbusters
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2005
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Turkish Gambit (Turetskii Gambit), Dzhanik Faiziyev
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2005
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Company 9 (9-Ya Rota), Fyodor Bondarchuk
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2006
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Day Watch (Dnevnoy Dozor), Timur Bekmambetov
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