Gospel Music

Gospel Music, a genre of popular American hymnody that emerged in around 1870. At first a predominantly white style, it became prominent in the urban religious revivals led by the evangelist Dwight Moody with the musician Ira Sankey. Its roots were in Sunday School hymns, camp-meeting spirituals, and the melodies and harmonies of popular music; the bass voice often echoes the other parts. An early example is “I Love to Tell the Story” (1869) by William Fischer. The texts, notably those of the poet Fanny Crosby, often deal with salvation and conversion. Black gospel music, which became distinctive by 1930, is especially associated with Pentecostal Churches. It developed out of the combination of the earlier hymns, black performance styles, and elements from black spirituals. Singing, which may merge into ecstatic dance, is usually accompanied by the piano or organ, often with handclapping, tambourines, and electric guitars. Texts such as “Precious Lord” (1932) by Thomas Dorsey stress themes of consolation. Noted singers include Rosetta Tharpe and Mahalia Jackson. Although the black and white varieties of gospel music have remained distinctive, repertoire has been shared, and they have freely influenced each other stylistically.